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This is one of the first books in any language on the life and work of Miraji (1912-49), a member of the triumvirate of canonical Urdu poets of the twentieth century. Lyrical Movements, Historical Hauntings aims to unravel the paradox of an acclaimed modernist writer whose poems are widely regarded as impossibly difficult to comprehend. It also grapples with the vexed issue of how to speak of a Muslim male poet who wrote under a Hindu woman's name, and whom contemporary critics described as mad, sexually perverse, and a voyeur.
Miraji's short life spanned the final period of British colonialism in South Asia, and his work played a part in the nationalist struggle. This book locates Miraji's writings in the colonial milieu of his time by linking them to the literary and theoretical concerns of a prior generation of writers. By contextualizing Miraji's life and lyrics within a literary history of modernist poetry, it suggests new ways of conceiving modernizing nationalisms and their relationship to gender and sexuality. In a manner consistent with Miraji's own poetics, the author traces the logic of nationalist discourses in order to identify multiple intersections and possibilities foreclosed in the process of state formation in India and Pakistan.
Lyrical Movements, Historical Hauntings does more than delineate the construction of a modern Urdu literary canon from the 1920s to the 1940s. It teases out the threads that wove Urdu modernism into the global Marxist and progressive literary movements of the time; it resituates Miraji as an anticolonial, nationalist writer; it examines the way critics have played Miraji's life off his work and provides an alternative biography; and it presents close readings of some of his most compelling and challenging poems. In the process, the author reconceives the relationships among nationalism, gender, and sexuality. Appendixes offer a rich sampling of new translations of Miraji's poems, essays, and other prose works.
- Sales Rank: #5254175 in Books
- Published on: 2002-01-31
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.50" w x 6.00" l, 1.69 pounds
- Binding: Hardcover
- 488 pages
Review
“Patel’s archival sensitivity is impressive: the details of Miraji’s everyday life make the story live in ways that few literary histories have done. This book provides a model to which contemporary students of literary and cultural studies should aspire.”—Lauren Berlant, University of Chicago
“This book will be of tremendous interest not only to specialists in Urdu literature, but also to those interested in colonial and post-colonial literature generally. Patel weaves biographical information into insightful and stimulating textual criticism, and her achievement as a translator of Miraji’s highly elusive verse deserves special recognition.”—Carla Petievich, Montclair State University
From the Inside Flap
This is one of the first books in any language on the life and work of Miraji (1912-49), a member of the triumvirate of canonical Urdu poets of the twentieth century. Lyrical Movements, Historical Hauntings aims to unravel the paradox of an acclaimed modernist writer whose poems are widely regarded as impossibly difficult to comprehend. It also grapples with the vexed issue of how to speak of a Muslim male poet who wrote under a Hindu woman’s name, and whom contemporary critics described as mad, sexually perverse, and a voyeur.
Miraji’s short life spanned the final period of British colonialism in South Asia, and his work played a part in the nationalist struggle. This book locates Miraji’s writings in the colonial milieu of his time by linking them to the literary and theoretical concerns of a prior generation of writers. By contextualizing Miraji’s life and lyrics within a literary history of modernist poetry, it suggests new ways of conceiving modernizing nationalisms and their relationship to gender and sexuality. In a manner consistent with Miraji’s own poetics, the author traces the logic of nationalist discourses in order to identify multiple intersections and possibilities foreclosed in the process of state formation in India and Pakistan.
Lyrical Movements, Historical Hauntings does more than delineate the construction of a modern Urdu literary canon from the 1920s to the 1940s. It teases out the threads that wove Urdu modernism into the global Marxist and progressive literary movements of the time; it resituates Miraji as an anticolonial, nationalist writer; it examines the way critics have played Miraji’s life off his work and provides an alternative biography; and it presents close readings of some of his most compelling and challenging poems. In the process, the author reconceives the relationships among nationalism, gender, and sexuality. Appendixes offer a rich sampling of new translations of Miraji’s poems, essays, and other prose works.
From the Back Cover
“Patel’s archival sensitivity is impressive: the details of Miraji’s everyday life make the story live in ways that few literary histories have done. This book provides a model to which contemporary students of literary and cultural studies should aspire.”—Lauren Berlant, University of Chicago
“This book will be of tremendous interest not only to specialists in Urdu literature, but also to those interested in colonial and post-colonial literature generally. Patel weaves biographical information into insightful and stimulating textual criticism, and her achievement as a translator of Miraji’s highly elusive verse deserves special recognition.”—Carla Petievich, Montclair State University
Most helpful customer reviews
1 of 1 people found the following review helpful.
An Indian view
By W Boudville
In the intersection of history and poetry, Miraji deserves to rank with Byron. Yet outside south Asia, he is relatively unknown. Part of this reflects a traditional tendency in developed countries to emphasise people from their common cultural background, which tends to be European.
But here Patel shows us that the complexity of Miraji's life and the milieu in which he lived is easily as interesting as that of any European figure. In this biography, we see the burning issues of an independent India movement striving to eject the British occupiers. With an accompanying subtext of how might a Muslim minority find their own identity in a resultant free India. Eloquently and somewhat ironically underpinned by Miraji being a Muslim male who wrote under a female Hindu name. The multiple facets of his experience and personality echo the free flowing tumult of his society.
Fans of his poetry may look with askance on this, but I found the most interesting parts of the book not to be the study of the poetry. Rather, it was the look at pre-Independence India, as seen from Indian perspectives. Because outside India, the histories of that time tend to be British-written. Good to have a local viewpoint.
See all 1 customer reviews...
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